{"id":141,"date":"2024-01-20T12:50:44","date_gmt":"2024-01-20T12:50:44","guid":{"rendered":"https:\/\/posse.keithlewiskeithlewis.com\/?p=141"},"modified":"2024-01-20T12:51:09","modified_gmt":"2024-01-20T12:51:09","slug":"portrait-of-the-artist-as-an-office-drone-anna-wiener-the-new-yorker","status":"publish","type":"post","link":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/2024\/01\/20\/portrait-of-the-artist-as-an-office-drone-anna-wiener-the-new-yorker\/","title":{"rendered":"\u201cPortrait of the Artist as an Office Drone\u201d &#8211; Anna Wiener (The New Yorker)"},"content":{"rendered":"\n<p>\u201cPrivate Equity\u201d belongs to a micro-genre that has flourished in the past decade, which might be filed under the category of ambivalent success stories: workplace memoirs in which the author, whether owing to luck or ambition, lands in a demanding, well-compensated, culturally or pragmatically enviable job, and then\u2014gradually finding it soul-deadening, ethically compromising, I.B.S.-inducing, or outright hostile to her personhood\u2014quits\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/www.newyorker.com\/culture\/the-weekend-essay\/portrait-of-the-artist-as-an-office-drone\">https:\/\/www.newyorker.com\/culture\/the-weekend-essay\/portrait-of-the-artist-as-an-office-drone<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cPrivate Equity\u201d belongs to a micro-genre that has flourished in the past decade, which might be filed under the category of ambivalent success stories: workplace memoirs in which the author, whether owing to luck or ambition, lands in a demanding, well-compensated, culturally or pragmatically enviable job, and then\u2014gradually finding it soul-deadening, ethically compromising, I.B.S.-inducing, or&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"webmentions_disabled":false,"footnotes":""},"categories":[15],"tags":[5,3,4],"class_list":["post-141","post","type-post","status-publish","format-standard","hentry","category-links_read","tag-extract","tag-linksread","tag-mastodon"],"_links":{"self":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/comments?post=141"}],"version-history":[{"count":1,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/141\/revisions"}],"predecessor-version":[{"id":142,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/141\/revisions\/142"}],"wp:attachment":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/media?parent=141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/categories?post=141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/tags?post=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}