{"id":325,"date":"2024-03-02T10:58:30","date_gmt":"2024-03-02T10:58:30","guid":{"rendered":"https:\/\/posse.keithlewiskeithlewis.com\/?p=325"},"modified":"2024-10-30T20:43:32","modified_gmt":"2024-10-30T20:43:32","slug":"jennifer-lopez-get-right-popular-freaky-trigger","status":"publish","type":"post","link":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/2024\/03\/02\/jennifer-lopez-get-right-popular-freaky-trigger\/","title":{"rendered":"\u201cJennifer Lopez &#8211; Get Right\u201d &#8211; Popular, Freaky Trigger"},"content":{"rendered":"\n<p>\u201cThere is a 2005 single, a huge hit, and many will tell you it\u2019s producer Rich Harrison\u2019s masterpiece. On that record, cut-ups of funk breaks are rearranged at oblique angles in a 21st century update of James Brown\u2019s rhythmic modernism, building an abstract sculpture of bone-rattling beats and slivers of jagged keys and horns. And the singer, turning in her own career-best performance, turns that beatspace into a jungle-gym, her song finding the gaps in the arrangement and filling them with micro-hooks before the chorus locks in, like a twist in a metal puzzle that magically turns a mess of points and edges into a perfect cube.<\/p>\n\n\n\n<p>This is not that single. \u201cGet Right\u201d is, at best, the shadow Amerie\u2019s \u201c1 Thing\u201d casts on the cave wall of pop. At worst, I can\u2019t believe it\u2019s by the same producer\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/popular-number1s.com\/2024\/03\/01\/jennifer-lopez-get-right\/\">https:\/\/popular-number1s.com\/2024\/03\/01\/jennifer-lopez-get-right\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThere is a 2005 single, a huge hit, and many will tell you it\u2019s producer Rich Harrison\u2019s masterpiece. On that record, cut-ups of funk breaks are rearranged at oblique angles in a 21st century update of James Brown\u2019s rhythmic modernism, building an abstract sculpture of bone-rattling beats and slivers of jagged keys and horns. And&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"webmentions_disabled":false,"footnotes":""},"categories":[15],"tags":[5,3,4,65],"class_list":["post-325","post","type-post","status-publish","format-standard","hentry","category-links_read","tag-extract","tag-linksread","tag-mastodon","tag-rss_source"],"_links":{"self":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/comments?post=325"}],"version-history":[{"count":1,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/325\/revisions"}],"predecessor-version":[{"id":326,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/325\/revisions\/326"}],"wp:attachment":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/media?parent=325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/categories?post=325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/tags?post=325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}