{"id":470,"date":"2024-04-30T06:44:20","date_gmt":"2024-04-30T06:44:20","guid":{"rendered":"https:\/\/posse.keithlewiskeithlewis.com\/?p=470"},"modified":"2024-10-30T20:39:53","modified_gmt":"2024-10-30T20:39:53","slug":"stereophonics-dakota-popular-1007-freaky-trigger","status":"publish","type":"post","link":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/2024\/04\/30\/stereophonics-dakota-popular-1007-freaky-trigger\/","title":{"rendered":"\u201cSTEREOPHONICS \u2013 \u201cDakota\u201d &#8211; Popular: #1007\u201d (Freaky Trigger)"},"content":{"rendered":"\n<p>\u201cThere\u2019s the germ of something interesting here \u2013 an idea of kitchen-sink rock, writing directly but artfully about the real lives of kids in post-industrial Britain. You can see why it would work \u2013 and in a few months we\u2019ll see it working a lot better. But there\u2019s a tension even in early Stereophonics between that idea and the grimly basic musical tools the band have at hand to realise it. The group were like the post-Richey Manics, but for people who didn\u2019t like any of that funny post-punk stuff, or hip-hop, or even glam. Whatever sensitivity Kelly Jones had as a writer didn\u2019t transfer to his singing, a raspy rock bellow as tender as a sandpaper handjob. And it didn\u2019t translate to his band, who sound like they considered meat and potatoes decadent luxuries\u201d<\/p>\n\n\n\n<p><a href=\"https:\/\/popular-number1s.com\/2024\/04\/24\/stereophonics-dakota\/\">https:\/\/popular-number1s.com\/2024\/04\/24\/stereophonics-dakota\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThere\u2019s the germ of something interesting here \u2013 an idea of kitchen-sink rock, writing directly but artfully about the real lives of kids in post-industrial Britain. You can see why it would work \u2013 and in a few months we\u2019ll see it working a lot better. But there\u2019s a tension even in early Stereophonics between&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"webmentions_disabled":false,"footnotes":""},"categories":[15],"tags":[5,3,4,65],"class_list":["post-470","post","type-post","status-publish","format-standard","hentry","category-links_read","tag-extract","tag-linksread","tag-mastodon","tag-rss_source"],"_links":{"self":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/comments?post=470"}],"version-history":[{"count":1,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/470\/revisions"}],"predecessor-version":[{"id":471,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/470\/revisions\/471"}],"wp:attachment":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/media?parent=470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/categories?post=470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/tags?post=470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}