{"id":737,"date":"2024-10-31T11:52:00","date_gmt":"2024-10-31T11:52:00","guid":{"rendered":"https:\/\/posse.keithlewiskeithlewis.com\/?p=737"},"modified":"2024-10-31T11:52:00","modified_gmt":"2024-10-31T11:52:00","slug":"the-big-squeeze-why-everyone-in-hollywood-feels-stuck-mia-galuppo-hollywood-reporter","status":"publish","type":"post","link":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/2024\/10\/31\/the-big-squeeze-why-everyone-in-hollywood-feels-stuck-mia-galuppo-hollywood-reporter\/","title":{"rendered":"\u201cThe Big Squeeze: Why Everyone in Hollywood Feels Stuck\u201d – Mia Galuppo (Hollywood Reporter)"},"content":{"rendered":"\n

\u201cYou get to a point where you’re living in your beautiful house in the hills, you’re meeting only other wealthy people and you’re not connecting to the audience,” adds Galloway. “And the moviegoing audience is primarily young, so at a certain point you become really detached from them.”
Which explains why so much of what Hollywood is producing these days feels so familiar. For instance, there are currently remakes or sequels in development for ’80s classics like An Officer and a Gentleman, Ghost and Dirty Dancing — projects that have little or no emotional resonance to anyone under 50\u201d<\/p>\n\n\n\n

https:\/\/www.hollywoodreporter.com\/business\/business-news\/hollywood-workers-stuck-battle-opportunity-1236047705\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cYou get to a point where you’re living in your beautiful house in the hills, you’re meeting only other wealthy people and you’re not connecting to the audience,” adds Galloway. “And the moviegoing audience is primarily young, so at a certain point you become really detached from them.”Which explains why so much of what Hollywood…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"webmentions_disabled":false,"footnotes":""},"categories":[15],"tags":[5,3,4],"class_list":["post-737","post","type-post","status-publish","format-standard","hentry","category-links_read","tag-extract","tag-linksread","tag-mastodon"],"_links":{"self":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/comments?post=737"}],"version-history":[{"count":1,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/737\/revisions"}],"predecessor-version":[{"id":738,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/posts\/737\/revisions\/738"}],"wp:attachment":[{"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/media?parent=737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/categories?post=737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/posse.keithlewiskeithlewis.com\/index.php\/wp-json\/wp\/v2\/tags?post=737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}